top of page
Mauritskade workshop station 23, 2023-25

Workshop Station 23 

The workshop has developed into a collaborative art space where both experienced and inexperienced artists come together. While we use various media, drawing is often the starting point. The workshop features exercises and games that emphasize on spontaneity and improvisation. The program is shaped by the group, ensuring it adapts organically over time by responding to the needs and creativity of its participants.

It’s an welcoming space for anyone, whether you're just started to draw or feel like you never truly learned how.

A Chinese saying goes:

‘Drawing requires three things:

the hand, the eye, and the heart.

 

Anyone can practice drawing as a form of communication. It gives you the freedom to experiment, allowing you to discover personal ways of representing an image, concept or subject.

  • Facebook
  • Instagram
  • Vimeo
7.JPG
AFK_met_Rood_CMYK_Liggend.jpg
cropped-logo-h240.png

I am currently a guest artist at residency GinDS (https://ginds.org/) from April to July 2026:

On April 1, I began a residency at GinDS, located in a former bunker. Here, I continue The Familiar, an artistic investigation into how the sense of “home” emerges and shifts. I depart from the idea of the familiar: that which seems known, but can never be fully fixed, and becomes tangible precisely through its shifts, and at times, its turning points.

The first chapter of The Familiar developed through a collective process with children. Through conversations, drawings, and shared constructions, we explored what “home” can be: a place, a memory, a language, or a group of people. When one of the children suddenly moved away, his absence became immediately perceptible. What was missing began to shape what remained, and emptiness functioned as a kind of shadow against which everything else took on form.

In this second chapter, I work in isolation. The bunker does not function as a backdrop, but as a research instrument: a space in which absence is already embedded in the material itself, and where the unknown takes precedence over the familiar. Time slows down, withdraws, and at times seems to come to a standstill. The absence of daylight and the enclosed structure demand a different mode of perception, in which presence reveals itself precisely through what is missing.

In this context, I explore how a place gradually becomes one’s own through being there, remaining, and looking.

This research is supported by the AFK (Amsterdam Fund for the Arts).

© 2024 by David Wasch. All rights reserved.

bottom of page